22nd Feb2012

Black History Presents – Daily knowledge: W.E.B. Du Bois (Day 22)

by Mr. Blair

W.E.B. Du Bois

 

William Edward Burghardt Du Bois was a sociologist, historian, civil rights activist, Pan-Africanist, author, and editor. Born in western Massachusetts, Du Bois grew up in a tolerant community and experienced little racism as a child. After graduating from Harvard, where he was the first African American to earn a doctorate, he became a professor of history, sociology, and economics at Atlanta University. Du Bois was one of the co-founders of the National Association for the Advancement of Colored People (NAACP) in 1909.

 

Du Bois rose to national prominence as the leader of the Niagara Movement, a group of African American activists who wanted equal rights for blacks. Du Bois and his supporters opposed the Atlanta Compromise, an agreement crafted by Booker T. Washington which provided that Southern blacks would work and submit to white political rule, while Southern whites guaranteed that blacks would receive basic educational and economic opportunities. Instead, Du Bois insisted on full civil rights and increased political representation, which he believed would be brought about by the African-American intellectual elite. He referred to this group as the talented tenth and believed that African Americans needed the chances for advanced education to develop its leadership.

 

Racism was the main target of Du Bois‘s polemics, and he strongly protested against lynching, Jim Crow laws, and discrimination in education and employment. His cause included colored persons everywhere, particularly Africans and Asians in their struggles against colonialism and imperialism. He was a proponent of Pan-Africanism and helped organize several Pan-African Congresses to free African colonies from European powers. Du Bois made several trips to Europe, Africa, and Asia. After World War I, he surveyed the experiences of American black soldiers in France and documented widespread bigotry in the United States military.

 

Du Bois was a prolific author. His collection of essays, The Souls of Black Folk, was a seminal work in African-American literature; and his 1935 magnum opus Black Reconstruction in America challenged the prevailing orthodoxy that blacks were responsible for the failures of the Reconstruction era. He wrote the first scientific treatise in the field of sociology; and he published three autobiographies, each of which contains insightful essays on sociology, politics, and history. In his role as editor of the NAACP‘s journal The Crisis, he published many influential pieces. Du Bois believed that capitalism was a primary cause of racism, and he was generally sympathetic to socialist causes throughout his life. He was an ardent peace activist and advocated for nuclear disarmament. The United StatesCivil Rights Act, embodying many of the reforms for which Du Bois had campaigned his entire life, was enacted one year after his death.

 

20th Feb2012

Black History Presents – Daily knowledge: John Henrik Clarke (Day 20)

by Mr. Blair

John Henrik Clarke

 

John Henry Clarke was a Pan-Africanist American writer, historian, professor, and a pioneer in the creation of Africana studies and professional institutions in academia starting in the late 1960s.

He was Professor of African World History and in 1969 founding chairman of the Department of Black and Puerto Rican Studies at Hunter College of the City University of New York. He also was the Carter G. Woodson Distinguished Visiting Professor of African History at Cornell University’s Africana Studies and Research Center. In 1968 along with the Black Caucus of the African Studies Association, Clarke founded the African Heritage Studies Association.

An autodidact, Clarke documented the histories and contributions of African peoples in Africa and the diaspora using an Afrocentric perspective. Some of his works are Harlem Quarterly, Pittsburgh Courier, and Malcolm X, Man and His Times.

 

19th Feb2012

Black History Presents – Daily knowledge: Hallie Quinn Brown (Day19)

by Mr. Blair

Hallie Quinn Brown

 

Hallie Quinn Brown was a educator, writer and activist. She was dean of Allen University in Columbia, South Carolina from 1885 to 1887 and principal of Tuskegee Institute in Alabama from 1892 to 1893 under Frederick Douglass. She became a professor at Wilberforce in 1893, and was a frequent lecturer on African American issues and the temperance movement, speaking at the international Woman’s Christian Temperance Union conference in London in 1895 and representing the United States at the International Congress of Women in London in 1899. Brown was a founder of the Colored Woman’s League of Washington, D.C., which in 1894 merged into the National Association of Colored Women. Some of Brown’s works are Bits and Odds: A Choice Selection of Recitations, Lessons in Public Speaking, and Homespun Heroines and Other Women of Distinction.

18th Feb2012

Stalley – God’s Child (Prod. Block Beattaz)

by iSpit

As a warm-up for his new release “Savage Journey to the American Dream”, Stalley offers a series of songs called “Songs by Me, Stalley”.  The third is “God’s Child”, an original song over Block Beattaz production.  Savage Journey to the American Dream is coming soon!  Follow @Stalley and @Bluecollargang.  Visit www.stalley330.com for more.  #SongsbymeStalley

18th Feb2012

Black History Presents – Daily knowledge: Alice Walker (Day 18)

by Mr. Blair

Alice Walker

 

Alice Malsenior Walker is an author, poet, and activist. She has written both fiction and essays about race and gender. She is best known for the critically acclaimed novel The Color Purple (1982) for which she won the Pulitzer Prize for Fiction. She was the fisrt African-American woman to be awarded the National Book Award. Alice Walker met Martin Luther King Jr. when she was a student at Spelman College in Atlanta in the early 1960s. Walker credits King for her decision to return to the American South as an activist for the Civil Rights Movement. She marched with hundreds of thousands in August in the 1963 March on Washington. As a young adult, she volunteered to register black voters in Georgia and Mississippi. Some of Walker’s works are The Third Life of Grange Copeland, Once, Warrior Marks, and The Color Purple.

17th Feb2012

Dr. Umar R. Abdullah-Johnson Interview w/BlackStar Journal

by iSpit

http://4.bp.blogspot.com/-Dig-4s3QVRA/Tt3_5XCWCcI/AAAAAAAAAPo/Yz2nl6YOL-Y/s1600/UJ.pngNationally certified school psychologist, kinsmen to abolitionist Frederick Douglas and a presenter in the renowned and widely acclaimed DVDHidden Colors,” Dr. Umar R. Abdullah-Johnson was jointly interviewed Thursday January 26, 2012 by this writer and First Work multimedia producer Warren Muhammad of the Final Call Newspaper.  As part of a national tour, Dr. Johnson was on a three-day lecture schedule in Chicago speaking to educators and community audiences on the “Psycho-Academic War Against Black Boys.”  The following comments were recorded on the third day of this engagement, Thursday, January 26, following his presentation to Chicago Public School social workers at the South Loop Hotel. Questions were selected from a wide range of published articles by Dr. Johnson. Appreciation is extended to Chicago’s Black Star Project for arranging this interview.

Raton:   How have Black parents and adults become so desensitized to the pain of our children, particularly our boys?

Dr. Johnson:  One of the biggest reasons or ways that desensitization has taken place is by way of the massive indoctrination of Black parents with the belief that the system has the best interest of their children at heart.  Many black parents especially mothers find it difficult to understand that there is a psycho-academic war against Black children in general and Black boys in particular.  I think that the menticide of the Black parent is actually making them an active participant in the mis-education and extermination of their children because they are finding it difficult to believe that society would be determined to marginalize and harm an entire generation of children.  And unfortunately, until they come to the realization that that is exactly what is happening to their sons and daughters, it is going to be difficult to reverse the carnage because children generally cannot protect and fend for themselves.  They need their communities and their families to do that for them.  So without the community and the family as a protective safeguard for the youth, I think that it will become eminently conclusive that one day there will be no more Black youth.

(“Mentacide” as labeled by Dr. Bobby Wright in 1985 is the deliberate and systematic destruction of a group’s mind and their unique way of life knowing, life thinking, and life being.)

Raton:   How does the five-stage cycle of “Institutional Repression” ultimately place Black males on the path of incarceration?

Dr. Johnson:  I have discovered in my work, in my research and particularly in my own experience as a psychologist and as an educator that the five stages that ever so increasingly large numbers of our Black boys are now moving through during their short life span takes them from birth to a premature extermination by the age of 25.  The first stage in the psycho-academic holocaust against Black boys is mis-education.  Mis-education has three goals.  The first is to teach the Black male child to hate himself.  That’s most important.  The second is to teach the Black boy to love White culture.  The third is to “special educate” the Black males and the fourth is to effeminize and homosexualize the Black male child.  Now the effeminization and homosexualization is an over-arching goal of public education.  It is the job of the White middle-class teacher to break the Black male’s spirit; to psychologically emasculate him so that he simply acquiesces into the oppression that the society has in store for him.  And I always say that it is going to be difficult to rescue the effeminization of Black boys as long as their education is in the hands of White women.  Now, if a White female teacher is not successful in breaking his spirit, we then go to stage two which is the psycho-tropic medicalization of Black boys.  That is the deliberate usage of psychological chemicals to induce a submission to the American social order.   And so the use of Risperdal, Adderall and the list goes on.  These chemicals are used to do to the brain what you could not do to the spirit.  So if the White middle-class female is unsuccessful in breaking the spirit of the Black boy, she then turns to the psycho-tropic drug cartel to induce the submission psychologically.  So first, you try to effeminize the Black male child.  If that is not successful, you go to psycho-tropic medication.  If the Black boy still is a “man child” and had not been broken through mis-education and schooling, you now go to juvenile incarceration.  So juvenile incarceration is the full fledged physical containment of the Black male spirit and the Black male threat.  You see, the whole purpose of mis-education is to make the Black boy psychosocially drop out of his own life.  Mis-education is designed to engender in the Black male’s mind a desire to not want to achieve.  Mis-education stamps out all interest in learning.  Children by nature want to learn.  Black boys want to learn like everyone else.  But what they don’t want is the differential treatment that belittles them, that psychologically castrates them and makes them feel like they are less than human.  To put it another way, the schools are doing exactly what slavery use to do, which is to dehumanize the Black man.  And so when we look around our community and we see Black boys acting like animals, it is because they were treated in like fashion in the public school setting.  A good example of how this works can be found in the “Standford Prison Experiment” conducted by a team of researchers led by psychology professor Philip Zimbardo at Standford University from August 14-20, 1971. It was funded by a grant from the US Office of Naval Research and was of interest to both the US Navy and Marine Corps in order to determine the causes of conflict between military guards and prisoners.  What this study revealed was that people will act the way they are treated.  You become the surroundings that you are subjected to.  Black children act out because they are being subjected to a hostile animalistic environment in today’s public educational system.  And after they come out of juvenile incarceration, that’s when the reality sets in the Black male’s mind that “I’ve been lied to my whole life.  My mother and my father told me; my pastor told me that if I go to school and do my work most of the time, study for my test and past them most of the time, listen to what the teacher has to say most of the time, I will graduate, get a diploma, go to college, graduate, find a good job, get married and live happily ever after.”  They found out that that was all a hoax, a big lie.  And now they are out on the street and not allowed to go back to school.  They have psychological frustration and alienation.  They become irritable and they feel disrespected.  Our Black boys are not acting like this on purpose and it is really not a part of some kind of hyper-masculine personality.  They are depressed.  They are sad as hell, and they are in much pain.  They are dealing silently with trauma.  But they are too afraid to admit it because many of them have egos that have been torn to pieces by White women, by their own families, by their community, and by the media.  So to admit that I am in pain, to admit that I need help to them means to admit that I am less than a man.  And that they are not willing to do.  Keep in mind that the minute slavery ended, they immediately began to build state-wide prison systems because they knew that they were going to engineer the education and economic order to eventually over time lead the Black man to jail which means, in a sense, straight back to slavery.  We still have slave ships.  They now call it prisons.  They just don’t sit on water, they now sit on land.

Raton:   You alluded to this point yesterday Wednesday in your presentation. Are we finding in today’s mainstream society, and even in some notable segments of Black culture, that efeiminization and homosexuality are actually being fashioned and encouraged towards both our African American male youth and grown men?

Dr. Johnson:  The homosexualization of the Black man is the current Eugenics apparatus that is underway.  Every 50 to 100 years, the American social order changes its primary strategy to bring about the annihilation of our race.  For example, in the 1970’s until the year 2000, HIV Aids was the predominant strategy of population extermination for African people.  Chemical dependence was also a weapon. Police brutality was a weapon.  Mass incarceration was a weapon.  And today, homosexuality is a weapon.  Now, most people will ask, how can homosexuality ever be a weapon in the population control war?  It is because homosexuality is a more effective strategy than mass incarceration.  It is a more effective strategy than Black-on-Black crime.  It is more effective than police brutality.  Why?  Because in order for police brutality to work; in order for mass incarceration to be effective, you have to have a life that has already been born.  But with homosexuality, you prevent the man’s semen from meeting the women’s egg.  So you prevent life from being created in the first place.  And even more importantly, the victims themselves actually carry out the genocide.  And so it was actually going back to 1972 when the movement of homosexuality began to be developed and pushed.  So what happens the next year?  In 1973, the American Psychiatric Association holds its annual convention where they vote that homosexuality should no longer by considered a mental disorder.  By April of 1974, homosexuality was deemed normal behavior.  That was only 37 years ago.  So sexual confusion amongst Black males is a very effective weapon in the population control war against us.

Raton:  Our children are born normal like everyone else and, in your own words, “can be successful like all other youth and will respond to love and proper treatment like everyone else.” Where does the process of Black male mistreatment, maltreatment, and mis-education begin and what form does it take?

Dr. Johnson: Mis-education begins at birth.  The first day of life for Black children is when they become subjected to self-hatred and self-hating messages about themselves.  They are also receiving messages about themselves that is directly or indirectly coming from the dominant culture.  And so from the first day that they enter this world, the mis-education and the self-hatred training towards our babies begin.  It intensifies in preschool because in preschool, for those that send their children to preschool, this is the first time that the Black boy comes face to face with the institutions of the American social order where he is expected to conform to the expectations from individuals who don’t care about him, who don’t know him, who don’t love him.  In preschool and in kindergarten, for the first time, you are being given orders by people who care nothing about you.  And on that note, last year, we had a record number of Black kindergarten boys – 4-, 5-, and 6-year-olds who were expelled from kindergarten.  Now, what can a 5-year-old boy do, what can he do to earn him an expulsion from kindergarten?  In the 90’s, a policy of “Zero Tolerance” began to be implemented in the public schools.  Zero Tolerance says that we are going to have zero tolerance for anyone who threatens or actually commits harm to anyone.  Every school district in America functions under this ruling where they expel Black boys by the dozens for doing what – for reacting to disrespectful behavior by White folks and other teachers in the classroom.

Raton:    Can you define for us please your conceptualization of “Mental Violence” and “Psychological Terrorism”?

Dr. Johnson:  Mental Violence is the violence that occurs in the mind of an individual when they are force fed negative information about themselves and are then forced to try to obtain some degree of sanity as a result of the psychological poison that has been put into their mind.  You see, the mind is like a plant.  Plans are rooted in soil.  The brain is the soil.  Every seed sowed must grow and bear fruit.  So whenever you teach a child to hate himself, when you teach him that he is nothing, but most importantly, when you teach him that he will never be nothing, then he is automatically wrestling with himself and second guessing his ability and possibilities.  Psychological Terrorism is the deliberate external social engineering of the minds of Black boys to a point of self hatred and collective self extermination.  What is interesting about Black-on-Black homicide is that whenever we talk about Black male violence, nobody puts it in a historical context.  Mis-education is the mother of all violence.  Economic castration is the father of all violence.  If you don’t give me a decent education that would allow me the opportunity to go and get a job, and then even if I have a decent education, if you don’t give me an opportunity to earn a livable wage, how do I feed myself and my family?  I am automatically forced by circumstance, not choice, to engage in illegal activity.  Our sons are not out here stealing cars because they want to, selling drugs because they want to, robbing people because they want to.  It is because they are forced by circumstance through a lack of resources and I think it if trifling that you have educated Negroes, preachers, Imams, politicians who got the nerve to blame Black men for the situation that they are in when they have done nothing to help correct the circumstance and have only by their inaction aided in maintaining it.  In 1970, what did they start doing in Black communities?  They started taking out the last remains of any factory based manual jobs that we used to work at and were able to earn a significant amount of money where we were a able to take care of our families and our neighborhoods.  But now, when you go through Chicago, Philadelphia, New York, Baltimore, you see abandoned factories that have been converted into luxury apartments that use to employ hundreds of Black people.  So in 1970, a concerted effort was made to depopulate the Black community of any industries to eliminate the jobs.  When Black men cannot provide for their families, that creates Mental ViolenceMental Violence automatically begets some form of escape to cope with it.  So in 1980, they dropped off crack deliberately to the Black community.  No one can talk to me about a war on drugs.  There is no war on drugs.  There is only a war on Black men.

Raton:   Why is it difficult for Black people to take responsibility for our own actions?

Dr. Johnson:  Because we were taught not to.  For 246 years of forced servitude, Black people were engineered to only care about the American social order and the slave master.  You were taught not to have any self-regard for you or for your loved ones.  Another Black person was not any of your concern.  And so you fast forward to 2012, and another Black person still today is none of your concern.  It is difficult for Black people to look after our own needs.  That’s why we gross a trillion dollars in this American economic system and use little to none of this money for our own benefit.  Black boys are catching hell everyday; being special educated, medicated, effeminized every day, and we have the economic potential to build schools just for our Black boys in America to fix this.  And we don’t do it?  Where does that come from?  Where does that extreme sense of neglect for one’s own children and even one’s own future come from?  It comes from our enslavement – the deliberate, the deliberate teaching of self denial.  Black people are actually trained and conditioned not to come together and build something unique to us that would be of substantive healing benefit to our children, to our community, and to our future. No, you don’t see that happening.  We come together for church.  We come together for the Super Bowl. We come together to gossip.  We come together to dance and to party.  We come together for concerts.  But we do not come together to build for our people.  We don’t come together and put all of our vast knowledge together to save our people.  So there is no wonder that our children are in pain, are failing, suffering and dying.

Raton:  Lastly, how did it feel to be a part of “Hidden Colors”?

Dr. Johnson:  It was an honor to be in “Hidden Colors.”  When I got the phone call from co-producer brotha Ola, I guess that would have been towards the end of 2010, he gave me a call and said we were putting together a documentary and we absolutely have to have you involved.  So we set up a time for director and executive producer brotha Tariq Nasheed to meet me in my office in Philadelphia.  That’s where my portion of the interview was filmed.  He asked me some questions.  I answered them.  I had no idea that “Hidden Colors” would end up being the hit that it was.  In fact, I had no guarantee that my interview would even be used in the documentary.  And so I am sitting home one day and I get a phone call from one of my close friends who lives in New York City and he said I am at the movie theater watching you.  And I said I have never been in any movies so you can’t possibly be watching me.  And he said, “Well, the ‘Hidden Colors’ documentary was released today at one of the movie houses in New York and we’re watching you and everybody in here is going crazy over  who is this Umar Johnson.  We never heard of him. We have never seen him.”  So that documentary did a lot to bring me into the homes of Black people who don’t live in the northeastern corridor of the United States.  After “Hidden Colors” dropped, I was pretty much known everywhere.  And so that DVD really helped raise the consciousness of Black folk, not just because of my participation, but because of every one in it – Tariq Nasheed, Shahrazad Ali, Dr. Booker T. Coleman, Sabir Bey, Dr. Phil Valentine, and Dr. Frances Cress Welsing.  It was indeed an honor to be a part of this historical sharing. And in fact, it is interesting that you asked me about “Hidden Colors” because I just confirmed my interview for “Hidden Colors – Part II”. So the second week of February, we are going to be at it again.  Brotha Nasheed is going to be coming to Philadelphia for the interview and hopefully with the grace and blessings of the ancestors and the will of the Almighty, we will be able to drop some more jewels for our people.

17th Feb2012

I Am Not A Rapper x DJ Nastee Naj Presents: #ClassicFriday Vol. 17 – #ClassicWhitneyHouston

by iSpit


MusicPlaylist
Music Playlist at MixPod.com

MixPod for iPhone
 
Whitney Houston Houston Tribute

Special thanks to Ms Pebbles & MemorialKeepsakes.com…

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American singer, actress, producer and model. Houston was the most awarded female act of all time, according to Guinness World Records. Her list of awards includes 2 Emmy Awards, 6 Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. Houston was also one of the world’s best-selling music artists, having sold over 170 million albums, singles and videos worldwide. Inspired by prominent soul singers in her family, including her mother Cissy Houston, cousins Dionne Warwick and Dee Dee Warwick, and her godmother Aretha Franklin, Houston began singing with New Jersey church’s junior gospel choir at age 11. After she began performing alongside her mother in night clubs in the New York City area, she was discovered by Arista Records label head Clive Davis. Houston released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification.

Houston was the only artist to chart seven consecutive No. 1 Billboard Hot 100 hits (“Saving All My Love for You”, “How Will I Know”, “Greatest Love of All”, “I Wanna Dance with Somebody (Who Loves Me)”, “Didn’t We Almost Have It All”, “So Emotional” and “Where Do Broken Hearts Go”). She was the second artist behind Elton John and the only female artist to have two number-one Top Billboard 200 Album awards (formerly “Top Pop Album”) on the Billboard magazine year-end charts. Houston‘s 1985 debut album Whitney Houston, became the best-selling debut album by a female act at the time of its release. The album was named Rolling Stone‘s best album of 1986, and was ranked at number 254 on Rolling Stone‘s list of the 500 Greatest Albums of All Time. Her second studio album Whitney (1987), became the first album by a female artist to debut at number one on the Billboard 200 albums chart. Houston‘s crossover appeal on the popular music charts as well as her prominence on MTV, starting with her video for “How Will I Know”, influenced several African-American female artists to follow in her footsteps.[9][10]

Houston‘s first acting role was as the star of the feature film The Bodyguard (1992). The movie’s original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single “I Will Always Love You”, became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period. The album makes her the only female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films Waiting to Exhale (1995) and The Preacher’s Wife (1996). The Preacher’s Wife soundtrack became the best-selling gospel album in history. Three years after the release of her fourth studio album My Love Is Your Love (1998), she renewed her recording contract with Arista Records. She released her fifth studio album Just Whitney in 2002, and the Christmas-themed One Wish: The Holiday Album in 2003. In 2009, Houston released her seventh studio album I Look to You.

On February 11, 2012, Houston was found dead at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known.

 

16th Feb2012

Summer Jobs+ 2012

by iSpit

A new call-to-action for businesses, non-profits, and government to provide pathways to employment for low-income and disconnected youth in the summer of 2012.

Summer Jobs+

Summer Jobs Widget: Add this widget to your page. Coming Soon!

“America’s young people face record unemployment, and we need to do everything we can to make sure they’ve got the opportunity to earn the skills and a work ethic that come with a job. It’s important for their future, and for America‘s. That’s why I proposed a summer jobs program for youth in the American Jobs Act — a plan that Congress failed to pass. America‘s youth can’t wait for Congress to act. This is an all-hands-on-deck moment. That’s why today, we’re launching Summer Jobs+, a joint initiative that challenges business leaders and communities to join my Administration in providing hundreds of thousands of summer jobs for America‘s youth

President Barack Obama

Businesses, Non-Profits and Governments

Businesses can accept the President‘s call-to-action and make a “Pathways Pledge” by choosing at least one of the following three pathways to employment for low-income youth:

  • Life Skills:Provide youth work-related soft skills, such as communication, time management and teamwork, through coursework and/or experience. This includes resume writing or interview workshops and mentorship programs.
  • Work Skills:Provide youth insight into the world of work to prepare for employment. This includes job shadow days and internships.
  • Learn and Earn: Provide youth on-the-job skills in a learning environment while earning wages for their work.

Interested in joining this initiative? Learn more and get started now

Youth

Looking for ways to get a jump start on your career this summer? In the coming weeks, we will be launching a new online tool to help connect youth around the country with great opportunities for the summer of 2012. Sign up to be the first to know when the Summer Jobs+ Jobs Bank is live!

Resources

As the nation continues to recover from the deepest recession since the Great Depression, American youth are struggling to get the work experience they need for jobs of the future. According to the Department of Labor’s Bureau of Labor Statistics:

  • 48.8 percent of youth between the ages of 16-24 were employed in July, the month when youth employment usually peaks. This is significantly lower than the 59.2 percent of youth who were employed five years ago and 63.3 percent of youth who were employed 10 years ago.
  • Minority youth had an especially difficult time finding employment this past summer. Only 34.6 percent of African American youth and 42.9 percent of Hispanic youth had a job this past July.

Learn more about how summer jobs can make an impact in your community

 

16th Feb2012

Black History Presents – Daily knowledge: Rita Dove (Day 16)

by Mr. Blair

Rita Dove

 

Rita Frances Dove is a poet and author. From 1993-1995 she served as Poet Laureate Consultant in Poetry to the Library of Congress, a position now popularly known as “United States Poet Laureate”. She was the first, and to date only, African-American to be appointed since the position was created by an act of Congress in 1986 out of the previous “consultant in poetry” position (1937-86). Dove also received an appointment as “special consultant in poetry” for the Library of Congress’s bicentennial year from 1999-2000. Dove is the second African American to receive the Pulitzer Prize for Poetry, in 1987, and she served as the Poet Laureate of Virginia from 2004-2006. Some of Dove’s works are Fifth Sunday, The Poet’s Worlf, and Through the Ivory Gate.

14th Feb2012

Black History Presents – Daily knowledge: Paul Laurence Dunbar (Day 14)

by Mr. Blair

Paul Laurence Dunbar

 

Paul Laurence Dunbar was a poet, novelist, and playwright of the late 19th and early 20th centuries. Much of his popular work in his lifetime used a Negro dialect, which helped him become one of the first nationally-accepted African American writers. Much of his writing, however, does not use dialect; these more traditional poems have become of greater interest to scholars. Some of Dunbar’s works are Oak and Ivy, Lyrics of Lowly Life, Folks from Dixie, and Lyrics of Sunshine and Shadow.

12th Feb2012

Black History Presents – Daily knowledge: John Langston Gwaltney (Day 12)

by Mr. Blair

John Langston Gwaltney

 

John Langston Gwaltney was a writer and anthropologist focused on African American culture, best known for his book Drylongso: A Self Portrait of Black America. He was a professor of anthropology at the University of Syracuse in New York. Drylongso is a collection of Gwaltney’s transcriptions of oral interviews with who he described as “core black people”, ordinary men and women who made up black America.

09th Feb2012

The Tuskegee Airmen (Full Video)

by iSpit

The true story of how a group of African American pilots overcame racist opposition to become one of the finest US fighter groups in World War II

Writers:

Paris Qualles (teleplay), Trey Ellis (teleplay), and 3 more credits »

09th Feb2012

Black History Presents – Daily knowledge: Audre Lorde (Day 9)

by Mr. Blair

Audre Lorde

 

Audrey Geraldine Lorde was a Caribbean-American writer, poet and activist. Lorde’s poetry was published very regularly during the 1960s — in Langston Hughes‘ 1962 New Negro Poets, USA; in several foreign anthologies; and in black literary magazines. During this time, she was politically active in civil rights, anti-war, and feminist movements. Some of Lorde’s works are The First Cities, Coal, Black Unicorn, and The Cancer Journals.

08th Feb2012

The Spook Who Sat By The Door (Full Video)

by iSpit

A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.

Director:

Ivan Dixon

Writers:

Sam Greenlee (screenplay), Melvin Clay (screenplay), and 1 more credit »

The Spook Who Sat by the Door Poster

08th Feb2012

Black History Presents – Daily knowledge: Langston Hughes (Day 8)

by Mr. Blair

Langston Hughes

 

James Mercer Langston Hughes a poet, social activist, novelist, playwright, and columnist. He was one of the earliest innovators of the then-new literary art form jazz poetry. Hughes is best known for his work during the Harlem Renaissance. He famously wrote about the period that “Harlem was in vague.” Hughes was honored and awarded Spingam Medal from NAACP, honorary doctorate from Howard University, Doctor of Letters from Lincoln Univesity, and there were many more accomplishments. Some of Hughes’ works include Let America Be America Again, Simple’s Uncle Sam, Famous American Negroes, and Black Nativity.

 

 

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