11th Jan2012

Blue Ivy Carter Becomes Youngest Person Ever to Appear on a Billboard Chart

by iSpit

…Speechless… No Beyonce’

If you guessed that Baby Carter would grow up to be a star because of her ubiquitous, famous parents, Jay-Z and Beyonce, you were probably right. If you anticipated her first song not being released until she was in her tweens, a la Willow Smith, you were dead wrong: Try within days of her birth.

Blue Ivy Carter, who was brought into the world Saturday (Jan. 7), is now the youngest person ever credited with gracing a Billboard chart, as Jay-Z’s newly-recorded studio cut “Glory” – officially billed as “featuring B.I.C.,” an abbreviation of Blue Ivy Carter – begins on Hot R&B/Hip-Hop Songs at No. 74. (For historical purposes, this week’s Billboard charts are dated Jan. 21).

Taking a page out of Stevie Wonder’s proverbial book on how to be a sentimental musical dad, Jay-Z recorded his precious girl’s first seconds of life – her breathing, cries and coos – just as Wonder did on his iconic song “Isn’t She Lovely,” written for his then-newborn daughter Aisha.

Why does B.I.C. claim the mark for youngest charted artist and not Wonder’s girl? Two reasons: young Aisha was never officially credited on “Lovely” and the song did not reach a Billboard chart until Jan. 29, 1977 (when it entered Adult Contemporary at its No. 23 peak), almost two years after she was born. The previous youngest credited artist on a Billboard chart was five-year-old Jordy (Jordy Lemoine), who hit the Hot 100 in June of 1993 with “Dur Dur D’Etre Bebe! (It’s Tough To Be A Baby!),” Even younger, although not individually credited, was Cubie Burke of the Five Stairsteps, who actually became a sixth Stairstep at the tender age of 18 months and appeared on several singles beginning in 1967.

Blue Ivy Carter/B.I.C. also benefits from the era in which she born. Technology today allows an advantage in that Jay-Z was able to record and release “Glory” less than 48 after her birth. After almost 72 years of numbers, positions, peaks, lows, gains and debuts – the first national Billboard chart was published the week of July 27, 1940 – Blue Ivy has already broken a record.

Glory” arrives as the week’s highest new entry on Hot R&B/Hip-Hop Songs with 1.7 million audience impressions on 54 radio stations, according to Nielsen BDS.

In a stroke of chart kismet, the song marks Jay-Z’s 107th career entry on the survey, mirroring the Jan. 7 birth date – in other words (or, um, numbers), 1/07 – of Blue Ivy.

Check billboard.biz tomorrow (Jan. 12), when all rankings, including Hot R&B/Hip-Hop Songs, will be refreshed, as they are each Thursday.

20th Nov2011

Baby Jaymes – Bump My Head

by iSpit

Baby Jaymes – Bump My Head

18th Nov2011

I Am Not A Rapper x DJ Nastee Naj: #ClassicFriday Vol. 4 – #ClassicODB

by iSpit


MusicPlaylist
Music Playlist at MixPod.com

MixPod for iPhone

WU-TANG FOREVER!!!!

Russell Tyrone Jones a.k.a. Dirt Dog a.k.a. Dirt McGirt a.k.a. O.D.B. a.k.a. Ason Unique a.k.a. Osirus a.k.a. Big Baby Jesus a.k.a. Joe Bananas a.k.a. BZA a.k.a. Ol’ Dirty BZA a.k.a. Peanut the Kidnapper

Ason Rise: November 15, 1968

Ason Set: November 13, 2004

R.I.Power!!

07th Oct2011

Lil Wayne’s 2011 Public Syrup Announcement (Full Video)

by iSpit

WEEZY F BABY PUBLIC SERVICE ANNOUNCEMENT from DERICK G on Vimeo.

This n*gga just went on a 30 minute syrup rant about not using syrup & justifying his prior use of syrup …while on syrup. 

Pay attention kids…

22nd Sep2011

What This Economy Is Doing to Creativity

by iSpit

Via:

There’s a dark theory about great, lasting art. Some of the greatest and influential music has sprung from pockets of desperation, poverty and struggle, and a desire to escape these confining elements. It’s why Robert Johnson will be remembered long after the Strokes; why Eminem started in a trailer and not a mansion; why the funniest comedians are often dark-and-despressed at the core.

It’s a theory with holes, undoubtedly, but also a lot of truth.  But what’s happening to bands, songwriters, and performers right now, ‘in this economy’?  Perhaps we’re so obsessed with digital disruption that we’re neglecting this other, collosal macroeconomic shift.  This is a Great Recession with a questionable and confusing ‘recovery,’ elevated and prolonged levels of unemployment, disturbing shifts towards income inequality, and huge amounts of uncertainty.  And it’s deeply affecting the decisions and lives of artists, particularly those just starting their careers.

There’s a myth that touring is full of money and opportunity.  Sure, receipts are up for the top 50 or 100 mega-tours, the brand names that can fetch $75 a seat.  The rest are experiencing a more difficult road, and the real economic issues tied to being an artist.  This is not an easy life – not now, not even in the 90s – but there’s less cash to develop a career, practice your chops, pay for gas, and keep the creative lights on.

This is also having a big impact on the crowded, DIY market, simply because artists are playing with very tight budgets. Tunecore raised its rates and faced an epic backlash, others report difficulties upselling artists into more sophisticated analytics, advertising, or touring packages.  The average annual payouts for artists on Tunecore and CD Baby is about $170, according to our calculations, thanks to an incredibly-crowded digital terrain.  So, where’s the extra money for all these rate-hikes and extra services?  That’s the entrepreneurial challenge, but also a setup for a Darwinian pare-down in the space.

But what about the music, our real lasting legacy?  The RIAA argues that good music requires money, though there’s actually more evidence to suggest the exact opposite.  Sadly, artists often give up after prolonged periods of economic struggle, though these same factors also seem to produce the most vital, enduring works.  It’s a process that may already be happening.

09th Aug2011

Cee-Lo Green – Cry Baby (Video)

by iSpit

Urkel???

13th Jul2011

AARP Launches Music Streaming Service With Concord Music Group

by iSpit

A free online music streaming service launched by the AARP is hoping to capitalize on a rather untapped market: Baby boomers’ love of music and relative inexperience with the digital music landscape.

Launched last month, the 18-channel player is programmed by the Concord Music Group, reports the New York Times. Concord is known for publishing works by artists popular with baby boomers, and has benefited in recent years by older Americans’ willingness to purchase physical CDs, which are more profitable for record companies.

While boomers embraced Rock and Roll and experimentation at Woodstock, the developers recognize they might be frustrated by the digital music experience. To remedy this, the player, which is hosted by the AARP website, features a simple design. The only controls are pause, play, and forward (to skip to a different song).

“We’ve always been trying to reach this audience, because we know that boomers are so passionate about music,” Hugh Delehanty, Editor of AARP‘s publications told the Times. “We also feel that because of changes in format and whatnot, a lot of them have gotten lost in terms of how to find their music.”

The music isn’t limited to the classics the 60s and 70s generation enjoyed in their younger days. The Modern Hits channel features songs by recent artists such as Paramore, Rascal Flats, and Kelly Clarkson. Other stations specialize in jazz, R&B, gospel, classic rock, and oldies.

“Everyone has a certain affinity for the music of their youth,” Marc Morgenstern, Concord’s chief market and asset development officer told the Times. “But people really do want to find something new, something that may not stray far from what they’re familiar with but bring a huge gust of fresh air.”

The Times reports the licensing fees for the free service will be paid for by advertising, and the AARP and Concord will share profits.

29th Jun2011

Is Soundscan Really Undercounting the Little Guy?

by iSpit

One thing’s clear: Nielsen Soundscan doesn’t count every last album sale. That would be impossible. But are they somehow missing this vast number of unsigned and indie albums (and singles), and grossly skewing our picture of who’s really winning?

That’s been a longtime argument from two of the front-running digital distributors, Tunecore and CD Baby.  In fact, just last week, CD Baby and Disc Makers president Tony Van Veen was making this case in response to a story on CD sales.  ”One of the problems with all numbers quoted is that a huge number of releases, artists, and revenues fly completely below the Soundscan/RIAA radar, and are never reported on,” Van Veen asserted.  ”But last year Disc Makers alone released over 50,000 new CD titles, probably several hundred times the output of all the so-called major labels and major indies. Oh, and that’s up 14% from the previous year.”

But the learning of the last few years is that if you press it, upload it, or otherwise distribute it, they may not come.  In fact, they probably won’t even notice.  Last year at New Music Seminar in New York, Nielsen Soundscan pointed to a vast number of albums that sold 0 or 1 copies – in a year – and just 1,215 that crossed the 10,000-mark in the US.  In 2009, just 98,000 albums sold one or more copies.

Granted, I’m using Nielsen Soundscan stats to make a point about Nielsen Soundscan.  I think there’s a name for this logical fallacy.  Except that all of the serious digital distributors – CD Baby, ReverbNation, Tunecore – offer Soundscan reporting as standard parts of their packages.  So, if you want to get counted, there’s nothing holding you back.  Which (more…)

02nd Jun2011

Proud Parents Name Their Baby Girl “Like” After Facebook

by iSpit

Israeli couple Lior and Vardit Adler have taken Facebook to a whole new, personal level.

Inspired by the social network, the proud parents named their baby girl “Like,” according to Haaertz.com. Lior told German Press agency dpa that he feels it’s important to give his children uncommon names.

Like has two siblings, Dvash (Hebrew for “Honey”) and Pie.

Lior also says “like” has a “nice, international ring to it.”

“If once people gave Biblical names and that was the icon, then today [the Facebook Like] is one of the most famous icons in the world,” he said.

01st Jun2011

South Park – Season 15, Episode 5: Crack Baby Athletic Association (Full Video)

by iSpit

14th May2011

#RandomRequests: Drake x iCan x Sean Price x Maino x Truck North

by iSpit

DJ Khaled ft. Lil Wayne, Drake and Rick Ross – I’m On One

Maino – I’m About That Life

Sean Price, Irealz & Baby Blak – Most Recognized (prod by Tone Spliff)

Cutlass Reid – Cheese Eggs & Grits feat.Truck North

Emilio Rojas ft. Tenille – The Letter (Prod. by Parks)

23rd Mar2011

Ice Cream Made With Human Breast Milk Sells Out In London

by iSpit

*Blank Stare*

Gross or tasty? A London company is offering an unusual dessert – ice-cream made with human breast milk.

The Icecreamists, a trendy ice cream parlor, says its “Baby Gaga” ice-cream sold out as soon as it launched Friday.

The company paid women who donated their breast milk after health screening. The milk is then pasteurized and churned together with vanilla pods and lemon zest. The dish comes in a martini glass, and sells for 14 pounds ($22.50) each.

Matt O’Connor, who owns the company, says the product is “organic, free-range and totally natural.”

The Food Standards Agency says there are no specific laws prohibiting businesses from selling human milk products, although they must comply with general food safety laws to ensure the product is safe for consumption.

13th Feb2011

Erykah Badu – Gone Baby, Don’t Be Long (Video)

by iSpit

28th Oct2010

Thats Gay, No Homo!: Infomania Goes In (@PausePolice) On Kanye, Cam’ron & Lil Wayne

by iSpit

13th Oct2010

Shyne Wants Off Def Jam: “I’m Trying To Get With Cash Money”

by iSpit

I cannot say I didnt see this coming… I also cannot say that I overstand why he would even consider going to slave for Baby as opposed to slaving for Def Jam…a slave is a slave is a slave…He isnt signed to them, but he’s in a contract so…wait, whats the difference again?

 *kanye shrug*

Says Shyne:

“They gotta care about [what we've done] the way Jimmy Iovine cares about that, the way Lyor Cohen cares about that,” Shyne added. “I’m definitely not gonna scrap everything I recorded. I put in so much, I’ve come so far. From the first record I did when I got out to the new records I’ve done while going to all these different countries, I ain’t scrapping nothing. I paid for that. I’m not signed to Def Jam anyway, I just need to find another distributor. I might just have Cash Money do everything. Who knows? That’s the beauty about being in the business for yourself. You can decide where you want to go and what you want to do.”

I’m definitely trying to get with Cash Money but the Def Jam thing is a question mark right now. I’ve been fixing to get up out of there for a while now because [Island Def Jam CEO] L.A. Reid don’t care about hip-hop. The people up there, they don’t know what they’re doing. When you don’t have a strong leader, where you gonna go? They don’t care about hip-hop music. You give them a hip-hop record with an R&B singer, you “might” have a chance. They don’t care. You got The Roots, Ghostface, Nas, probably the best hip-hop roster you could imagine and they do nothing. L.A. Reid doesn’t want nothing to do with

(more…)

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