You can spend hours at 172 Duane Street, in Tribeca, and still have no clue what’s going on here. People come and go at all hours. A thick cloud of pot smoke makes you think you’ve wandered into a building on fire with a stereo cranked at full blast. Sometimes the four-story warehouse is a sprawling art gallery; at other times, it’s a photo studio, or an indie band’s rehearsal space. Most of the time, it’s all of these things at once.

On a recent blustery December night, rapper Mos Def was in the house. Dressed in brown slacks, shiny dress shoes, jean jacket and a cabby hat tilted to the side, he sipped a bottle of Rolling Rock, taking in the vibe. “It’s like a cross between early Hitsville, Andy Warhol’s Factory and a little bit of the Algonquin roundtable,” he told me. “But it’s something completely different.”

As it happens, this shape-shifting space has a name—DD172—a business plan and a onetime mogul making it all happen. DD is for Damon Dash, the 38–year–old fallen hip-hop impresario who thought it would be cool to start a hippie art collective right smack in the middle of one of the wealthiest neighborhoods in Manhattan. It is, in short, the kind of scene you hoped still existed in Manhattan, but feared might have gone away.

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